It is an unfinished country. The only thing missing here are the dinosaurs. It’s like a curse that weighs on an entire landscape. And those who are too concerned with it have their share of this curse. It is the only country where creation is still unfinished. If you look closely at what surrounds us, there is a kind of harmony. It is the harmony of overwhelming and collective murder. And we in comparison to the articulated meanness and baseness and obscenity of this whole jungle – er, we in comparison to this enormous articulation – we just sound and look like badly enunciated and half-finished sentences from a stupid and cheap suburban novel.

The found footage collective, Everything is Terrible! Has taken over 2,000 forgotten VHS tapes and re-contextualized them in order to tell the tale of The Dark Lord himself, Lucifer.

When her older sister elopes with a non-royal, Princess Bea who has lived her life away from her royal duties must now step in and honor the arranged marriage to a small kingdom prince.

Amanda and Jake are in love and want to start a new life in Los Angeles. Will they make the right decisions? The first 24 hours of their new life take them all around the city, bringing them more surprises and frustrations than expected.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

Núa burns through her last drops of gasoline to get to a sanctuary at the end of the road where powerhouses, musicians and mystics have gathered for a letting go ritual.

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

TRANS LOS ANGELES is an anthology of four stand-alone short films and their unifying theme is that they all feature a Trans character in the lead and they all take place in a different part of Los Angeles. These stories are character-driven/slices of life and they demonstrate the rich diversity within the trans community.

A badly recorded story that we don't really know how to fix. Be careful, the rest of you, with the mistakes, because then the critics will eat you like piranhas.

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